Hannah Traore Gallery is pleased to present Fruiting Bodies: Creatures of Culture, an installation of hand-fabricated glass by artist Deborah Czeresko (she/they) that formally references the wild glamour of a forest. Posing glass as an androgynous material, Czeresko explores how the fluid state of glass embodies the parallel ways in which LGBTQIA+ culture and natural ecosystems germinate and grow. Through sculpture, the artist explores philosophies of queer identity, glamour paradigms, chosen family and community, abundance in marginalization, and the nonbinary quality of glass.
As in a forest, Czeresko’s constructed environment is built from the floor to an imagined canopy. The forest floor consists of 1200 pounds of glass “soil” populated by hand-sculpted glass mushrooms, fruiting bodies, decaying leaves, and neon mycelium. Above, a pink beaded curtain acts at the understory: a portal welcoming the viewer into a queer ecological environment. Referencing door beads popular in the United States during the psychedelic 1960s, the curtain marks a departure from the conceived reality of the physical world into the “alternate” consciousness of the interior gallery space. In the “canopy,” the Queer-delier offers a bright light that filters through the forest layers. Each chandelier arm emulates a tree branch, encrusted with tiny mirrors similar to the surface of a disco ball—referencing queer nightclubs, a nexus for the LGBTQIA+ community where identities were pieced together and people could be themselves unapologetically.
Mycological research affirms the message that being queer is natural. According to fungal taxonomist Dr. Patricia Kaishian “Mycology is queer at the organismal level. Fungi are nonbinary, they are neither plants nor animals but possess a mixture of qualities common to both groups upending the prevailing binary concept of nature.” The fungi form symbiotic associations with the roots of other plant species. Czeresko offers a unique depiction of the mycelia network, denoting a mutually beneficial relationship between different people or groups where all are thriving—a Queer ecology of limitless abundance, expansive creativity, and an instinct toward pleasure.
Hannah Traore Gallery is pleased to present Fruiting Bodies: Creatures of Culture, an installation of hand-fabricated glass by artist Deborah Czeresko (she/they) that formally references the wild glamour of a forest. Posing glass as an androgynous material, Czeresko explores how the fluid state of glass embodies the parallel ways in which LGBTQIA+ culture and natural ecosystems germinate and grow. Through sculpture, the artist explores philosophies of queer identity, glamour paradigms, chosen family and community, abundance in marginalization, and the nonbinary quality of glass.
As in a forest, Czeresko’s constructed environment is built from the floor to an imagined canopy. The forest floor consists of 1200 pounds of glass “soil” populated by hand-sculpted glass mushrooms, fruiting bodies, decaying leaves, and neon mycelium. Above, a pink beaded curtain acts at the understory: a portal welcoming the viewer into a queer ecological environment. Referencing door beads popular in the United States during the psychedelic 1960s, the curtain marks a departure from the conceived reality of the physical world into the “alternate” consciousness of the interior gallery space. In the “canopy,” the Queer-delier offers a bright light that filters through the forest layers. Each chandelier arm emulates a tree branch, encrusted with tiny mirrors similar to the surface of a disco ball—referencing queer nightclubs, a nexus for the LGBTQIA+ community where identities were pieced together and people could be themselves unapologetically.
Mycological research affirms the message that being queer is natural. According to fungal taxonomist Dr. Patricia Kaishian “Mycology is queer at the organismal level. Fungi are nonbinary, they are neither plants nor animals but possess a mixture of qualities common to both groups upending the prevailing binary concept of nature.” The fungi form symbiotic associations with the roots of other plant species. Czeresko offers a unique depiction of the mycelia network, denoting a mutually beneficial relationship between different people or groups where all are thriving—a Queer ecology of limitless abundance, expansive creativity, and an instinct toward pleasure.
