James Perkins

James Perkins (b. 1978) is an artist who lives and works between New York City and Fire Island, New York. He received a BA from Yale University in 2000, and a Master’s degree from the School of Visual Arts in 2013. His work spans land art installations, sculpture, painting, photography, and film. He has exhibited work with Metro Pictures, NYU The Institute of Fine Arts, County Gallery, Hannah Traore Gallery, Ace Gallery, MANA Contemporary, Tappan Collective, Aimee Friberg Exhibitions, Dallas Contemporary, MTV RE: DEFINE and the School of Visual Arts. He has given lectures at the Art Institute of Chicago, NYU The Institute of Fine Arts, LACMA’s Avant-Garde, and University of Wisconsin.

His work has been featured in Domino, Robb Report, Wallpaper, Artsy, LUXE Interiors & Design, The Wall Street Journal, CNBC, ABC, Teen Vogue, Hodinkee, and Entrepreneur Magazine among others. His brand collaborations include West Elm, J. Crew, Huckberry, Sleepy Jones, Lulu and Georgia, Faust Wines, UBS, Marlborough Chelsea Gallery, The Council of Fashion Designers of America (CFDA), Louis Vuitton Moet Hennessey (LVMH) brands, and The Standard Hotels.

James Perkins (b. 1978) is an artist who lives and works between New York City and Fire Island, New York. He received a BA from Yale University in 2000, and a Master’s degree from the School of Visual Arts in 2013. His work spans land art installations, sculpture, painting, photography, and film. He has exhibited work with Metro Pictures, NYU The Institute of Fine Arts, County Gallery, Hannah Traore Gallery, Ace Gallery, MANA Contemporary, Tappan Collective, Aimee Friberg Exhibitions, Dallas Contemporary, MTV RE: DEFINE and the School of Visual Arts. He has given lectures at the Art Institute of Chicago, NYU The Institute of Fine Arts, LACMA’s Avant-Garde, and University of Wisconsin.

His work has been featured in Domino, Robb Report, Wallpaper, Artsy, LUXE Interiors & Design, The Wall Street Journal, CNBC, ABC, Teen Vogue, Hodinkee, and Entrepreneur Magazine among others. His brand collaborations include West Elm, J. Crew, Huckberry, Sleepy Jones, Lulu and Georgia, Faust Wines, UBS, Marlborough Chelsea Gallery, The Council of Fashion Designers of America (CFDA), Louis Vuitton Moet Hennessey (LVMH) brands, and The Standard Hotels.

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Anya Paintsil

Anya Paintsil, Cwympo ni'n dau, wel dyna i chi dric! ll (We both fall over that’s the trick ll), 2023

Anya Paintsil works at the intersection of textile and sculpture, engaging in practices like rug-hooking, embroidery and tapestry-making; some of which she learned from family members. She frequently incorporates weaves, braids and other hair pieces as materials in her work. Painstil explores topics such as the female gaze, personal relationships and collective prejudices; topics that have been informed by her experiences growing up in North Wales in a mixed-race family. Paintsil studied at the Manchester School of Art, was awarded the Wakelin prize in 2021 and had solo exhibitions at the Glynn Vivian Museum, Swansea (2021) and We are all made of you, Ed Cross, London (2022). Her work is in the collections of The Whitworth (Manchester, UK), Glynn Vivian (Swansea, UK), Tullie House (Carlilse,UK), The Women’s Art Collection (Cambridge University, UK), The Stedelijk Museum (Amsterdam, NL) and Amoako Boa

Born 1993 in Wrexham, North Wales, Anya Paintsil is a Welsh and Ghanaian artist working primarily with textiles. From rug hooking to embroidery, her assemblages evoke tactile tapestry on the one hand, and constitute semi-sculptural interventions on the other. Playful and profound, flippant and forceful, her practice engages the language of fibres — of all kinds — with interrogations of materiality and political personhood.

Anya Paintsil made her London debut at Somerset House’s annual contemporary African art fair, 1-54, 2020. Recent institutional acquisitions include the National Museum of Wales; Arts Council Collective, London; Glynn Vivian Art Gallery, Swansea; The Whitworth Art Gallery, Manchester; Tullie House Museum, Carlisle; the Women’s Art Collection, Cambridge; Arts Council Collection, London, and The Stedelijk Museum, Amsterdam. Private collections include Amoako Boafo and Mark Quinn. Anya was awarded the prestigious Wakelin Prize 2020 (exhibited at the Glynn Vivian in 2021), and featured in Crafts Council Gallery’s exhibition ‘Maker’s Eye’, London and Salon 94 in New York, both 2021; in 2022, Anya presented her first London solo show, We Are All Made of You with Ed Cross, and in 2023, she presented a solo exhibition Proof of Their Victories with Hannah Traore Gallery (New York).

Anya Paintsil works at the intersection of textile and sculpture, engaging in practices like rug-hooking, embroidery and tapestry-making; some of which she learned from family members. She frequently incorporates weaves, braids and other hair pieces as materials in her work. Painstil explores topics such as the female gaze, personal relationships and collective prejudices; topics that have been informed by her experiences growing up in North Wales in a mixed-race family. Paintsil studied at the Manchester School of Art, was awarded the Wakelin prize in 2021 and had solo exhibitions at the Glynn Vivian Museum, Swansea (2021) and We are all made of you, Ed Cross, London (2022). Her work is in the collections of The Whitworth (Manchester, UK), Glynn Vivian (Swansea, UK), Tullie House (Carlilse,UK), The Women’s Art Collection (Cambridge University, UK), The Stedelijk Museum (Amsterdam, NL) and Amoako Boa

Born 1993 in Wrexham, North Wales, Anya Paintsil is a Welsh and Ghanaian artist working primarily with textiles. From rug hooking to embroidery, her assemblages evoke tactile tapestry on the one hand, and constitute semi-sculptural interventions on the other. Playful and profound, flippant and forceful, her practice engages the language of fibres — of all kinds — with interrogations of materiality and political personhood.

Anya Paintsil made her London debut at Somerset House’s annual contemporary African art fair, 1-54, 2020. Recent institutional acquisitions include the National Museum of Wales; Arts Council Collective, London; Glynn Vivian Art Gallery, Swansea; The Whitworth Art Gallery, Manchester; Tullie House Museum, Carlisle; the Women’s Art Collection, Cambridge; Arts Council Collection, London, and The Stedelijk Museum, Amsterdam. Private collections include Amoako Boafo and Mark Quinn. Anya was awarded the prestigious Wakelin Prize 2020 (exhibited at the Glynn Vivian in 2021), and featured in Crafts Council Gallery’s exhibition ‘Maker’s Eye’, London and Salon 94 in New York, both 2021; in 2022, Anya presented her first London solo show, We Are All Made of You with Ed Cross, and in 2023, she presented a solo exhibition Proof of Their Victories with Hannah Traore Gallery (New York).

Concrete (l)
Anya Paintsil
2023
You're more on the evil side! While you see it as being nice, your honesty can sometimes come off a harsh and cold.
Anya Paintsil
2023
It’s home from home wherever I roam
Anya Paintsil
2023
Cwympo ni'n dau, wel dyna i chi dric! ll (We both fall over that’s the trick ll)
Anya Paintsil
2023
Dros y mynydd (over the mountain)
Anya Paintsil
2023
When I cut one off, another grows in it’s place (ll)
Anya Paintsil
2023
Gwallt
Anya Paintsil
2022
Shroud
Anya Paintsil
2022
You are Catherine de' Medici, a person of diplomacy and refinement. You excel in finding common ground and promoting harmony among diverse individuals
Anya Paintsil
2023
Combs
Anya Paintsil
2022
When I cut one off, another grows in it’s place (lll)
Anya Paintsil
2023
Jazzy and Snazzy
Anya Paintsil
2022
Bach I (Little)
Anya Paintsil
2022
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Camila Falquez

Camila Falquez, Rochel Herbert, Dancer, 2023

Camila Falquez is a New York-based photographer of Colombian heritage, born in Mexico City and raised in Spain. Her work merges the traditions of fashion and portrait photography with a keen focus on contemporary social and gender diversity. By channeling surrealist conventions and employing a bold color palette, Falquez elevates and empowers her subjects, reimagining their presence through a unique visual language.

In 2022, Falquez held her first solo exhibition in New York at Hannah Traore Gallery, titled Gods That Walk Among Us. In 2023, she was honored as the Fashion Photographer of the Year at the Latin American Fashion Awards and that same year Falquez was awarded the TD Bank and NADA Curated Spotlight award. Additionally, her work has been acquired by the Perez Art Museum in Miami, Florida. In 2024, she was invited to be a part of The University of Tulsa convening Sovereign Futures with her performance piece with artist Luis Rincon Alba, Chant Down.

Falquez’s photography explores the intersection of fabric, identity, and historical narrative. Her art reinterprets the traditional use of draped fabric in Western painting, transforming it into a contemporary symbol that challenges and redefines concepts of power and beauty. Projects such as Compañera (2023-2024), a multi-media photography installation and performance advocating for trans and non-binary rights in Colombia; Being (2018-2023), a visual manifesto that reclaims and redefines monumental ideals; all reflect her commitment to amplifying marginalized voices and celebrating diverse experiences.

Camila Falquez is a New York-based photographer of Colombian heritage, born in Mexico City and raised in Spain. Her work merges the traditions of fashion and portrait photography with a keen focus on contemporary social and gender diversity. By channeling surrealist conventions and employing a bold color palette, Falquez elevates and empowers her subjects, reimagining their presence through a unique visual language.

In 2022, Falquez held her first solo exhibition in New York at Hannah Traore Gallery, titled Gods That Walk Among Us. In 2023, she was honored as the Fashion Photographer of the Year at the Latin American Fashion Awards and that same year Falquez was awarded the TD Bank and NADA Curated Spotlight award. Additionally, her work has been acquired by the Perez Art Museum in Miami, Florida. In 2024, she was invited to be a part of The University of Tulsa convening Sovereign Futures with her performance piece with artist Luis Rincon Alba, Chant Down.

Falquez’s photography explores the intersection of fabric, identity, and historical narrative. Her art reinterprets the traditional use of draped fabric in Western painting, transforming it into a contemporary symbol that challenges and redefines concepts of power and beauty. Projects such as Compañera (2023-2024), a multi-media photography installation and performance advocating for trans and non-binary rights in Colombia; Being (2018-2023), a visual manifesto that reclaims and redefines monumental ideals; all reflect her commitment to amplifying marginalized voices and celebrating diverse experiences.

Samantha Siagama, Trans-Indigenous Leader
Camila Falquez
2023
Ginna Katherine, Trans Activist from Chaparral, Tolima, Colombia
Camila Falquez
2023
Maria Victoria, Palacios Romaña, aka. La Flaca Trans Leader and Organizer
Camila Falquez
2023
THE TRYPTIC: Josue Hart (She/Her), Bobbi Menuez (They/Them), and Basit Com (They/Them)
Camila Falquez
2022
Miss Patsy In Decline (She/Her)
Camila Falquez
2021
Qween Jean (She/Her)
Camila Falquez
2022
Arewa Basit, Performer
Camila Falquez
2023
Rossy de Palma (She/Her)
Camila Falquez
2019
Arthur Bramhandtam (She/Her)
Camila Falquez
2021
Amarise Carreras
Camila Falquez
2020
Natalia Mendez from La Morada (She/Her)
Camila Falquez
2021
João Víctor Pankararu, Indigenous activist from the Brazilian Amazon
Camila Falquez
2023
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Misha Japanwala

Misha Japanwala, Artifact SS01, 2022

Misha Japanwala is a Pakistani artist and fashion designer, whose work is rooted in the rejection and deconstruction of shame attached to one’s body, and discussion of themes such as bodily autonomy, gender based violence, moral policing, sexuality and censorship. Speaking to the objectification, commodification and control exerted on marginalized bodies by societies and systems enveloped in patriarchy, Misha’s work aims to create a new historical record and documentation of people — one that is on our own terms, and rooted in honesty, resistance and hope. Through molding the body to create casts that are worn as sculptural garments, Misha’s artistic practice blurs the lines between fashion and fine art, clothing and nudity, and asks viewers to see the body exactly as it is. Her practice is an insistence for bodies to occupy physical space, emphasizing the notion that our bodies shouldn’t need to prove anything other than being allowed to simply exist.

Misha’s calligraphic work takes the form of silhouettes of the body intertwined with Urdu script — often in an effort to reclaim words and ideas that are used as weapons of shame and control. Misha has exhibited work in Pakistan and the US. Her work has been photographed for and written about in numerous international publications including The New York Times, Vogue, The Guardian, Vice, and Document Journal. Misha’s pieces have been worn by people such as Cardi B, Lupita Nyong’o, Lil Nas X, and Joy Crookes. She was an honoree on the Forbes 30 Under 30 list in 2021. Her work continues to be an explorative, radical, and shameless celebration of people and their bodies. Misha Japanwala was raised in Karachi, Pakistan. She has a BFA in Fashion Design from Parsons School of Design, and is currently based between Karachi and New Jersey, where she lives with her husband, and puppy Snug The Joiner.

Misha Japanwala is a Pakistani artist and fashion designer, whose work is rooted in the rejection and deconstruction of shame attached to one’s body, and discussion of themes such as bodily autonomy, gender based violence, moral policing, sexuality and censorship. Speaking to the objectification, commodification and control exerted on marginalized bodies by societies and systems enveloped in patriarchy, Misha’s work aims to create a new historical record and documentation of people — one that is on our own terms, and rooted in honesty, resistance and hope. Through molding the body to create casts that are worn as sculptural garments, Misha’s artistic practice blurs the lines between fashion and fine art, clothing and nudity, and asks viewers to see the body exactly as it is. Her practice is an insistence for bodies to occupy physical space, emphasizing the notion that our bodies shouldn’t need to prove anything other than being allowed to simply exist.

Misha’s calligraphic work takes the form of silhouettes of the body intertwined with Urdu script — often in an effort to reclaim words and ideas that are used as weapons of shame and control. Misha has exhibited work in Pakistan and the US. Her work has been photographed for and written about in numerous international publications including The New York Times, Vogue, The Guardian, Vice, and Document Journal. Misha’s pieces have been worn by people such as Cardi B, Lupita Nyong’o, Lil Nas X, and Joy Crookes. She was an honoree on the Forbes 30 Under 30 list in 2021. Her work continues to be an explorative, radical, and shameless celebration of people and their bodies. Misha Japanwala was raised in Karachi, Pakistan. She has a BFA in Fashion Design from Parsons School of Design, and is currently based between Karachi and New Jersey, where she lives with her husband, and puppy Snug The Joiner.

Artifact SJ01
Misha Japanwala
2023
Topographies by Misha Japanwala
Photographed by Zayira Ray
2024
Misha Japanwala and Hannah Traore (Photo taken by Zayira Ray)
Misha Japanwala
2023
Dune
Misha Japanwala
2024
Hands of a Revolution: La Mimi
Misha Japanwala
2023
Topographies by Misha Japanwala
Photographed by Zayira Ray
2024
Dupatta
Misha Japanwala
2023
Topographies by Misha Japanwala
Photographed by Zayira Ray
2024
Misha Japanwala’s molding on the coast of Karachi, Pakistan. (Photo taken by Aleena Naqvi)
Misha Japanwala
2023
Knoll
Misha Japanwala
Fossils 7
Misha Japanwala
2023
Misha Japanwala’s molding on the coast of Karachi, Pakistan. (Photo taken by Aleena Naqvi)
Misha Japanwala
2023
Topographies by Misha Japanwala
Photographed by Zayira Ray
2024
Cavern
Misha Japanwala
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